More photos of the Third Palace, Knossos, Late Minoan III (ca. 1450 BCE), general views from the net:




versus photos of ancient Chinese architecture:


More photos of the Third Palace, Knossos, Late Minoan III (ca. 1450 BCE), general views from the net:




versus photos of ancient Chinese architecture:


Third Palace, Knossos, Late Minoan III (ca. 1450 BCE), general views from the net:
In this post and the next two, you can see several illustrations and paintings of the ancient palace and city of Knossos in its full glory in the Late Minoan III period (ca. 1450 BCE).



Notice in this beautiful painting of ancient Knossos (population ca. 55,000, a huge city for the ancient world) the arches beneath the causeway leading to the city. And we thought arches were a Roman invention!
What is so remarkable about Middle and Late Minoan architecture is that it looks so modern, even to us in the twenty-first century. The architecture is simple and streamlined, no extravagant frills. This sets Knossos in stark contrast to practically every other ancient civilization, except Classical Athenian (the acropolis and Parthenon, ca. 430-400 BCE). Almost all other ancient civilizations went in for the extravagant and the excessive, much like Baroque architecture in the seventeenth century AD, all of which I cannot abide. In order to set the stark contrast between Minoan and Mycenaean architecture and that of Persepolis and ancient China, for instance, I am also including photos from the latter civilizations. The architecture of Persepolis is particularly gaudy and distasteful to me.
Persepolis:


Photo series of the Second Palace of Knossos (ca. 1700-1600 BCE) # 2 Here again you see a set of three photos of the rear stairwells of the Second Palace, which are very well preserved... indeed, so well preserved that even the ruins of Pompeii cannot boast of such restoration. The third photo shows that the interior wall structure of the Second Palace was pretty much identical with the Third, with door jambs in the same style and of the same colour. Unquestionably, the columns of the Second Palace must have looked pretty much identical to those of the Third. You can clearly see from the third and fourth photos that much of the structure of the retaining walls of the Second Palace was left intact by the Minoan engineers when they constructed the Third. The retaining walls of the Second Palace are distinct, insofar as they are rounded at the corners.![]()
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Photo series of the Palaces of Knossos, first (1900 BCE), second (1700 BCE) & late Minoan III (1500 BCE) For the next few months, at least twice a week, I shall be posting scores of the wonderful photos I took of the Palaces of Knossos, which I took the day I visited the site, May 1 2012. Today, I am starting with 2 photos of the First Palace (ca. 1900 BCE), which was destroyed by earthquake. The First Palace![]()
Over its ruins the Second Palace( ca. 1700 BCE), of which you can also see a couple of photos here, was built. While the second palace also succumbed to major earthquakes, much of it still remains intact, as you will see in the next post as well. The Second Palace
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Some of the Third Palace, late Minoan II (ca. 1500-1425 BCE) was added onto the second. The rest of it was built over it. Even from the wasted ruins of the First Palace, you can see it was an advanced complex. Apparently, the population of Knossos was already around 18,000 by the time of the first palace, and had risen to at least 55,000 in the late Minoan III period. For antiquity, that is an extremely large city.
The Master Seal of Khania and a sealing from Haghia Triada:

These beautiful seals may date from Middle or early Late Minoan times, and if this is so, they were fashioned when Minoan Linear A was still in use. Otherwise, if they date from Late Minoan III, the script in use would have been Linear B.
And NOW FOR SOMETHING COMPLETELY DIFFERENT! Sheep humour LOL! Yes, that’s right, folks! Sheep humour and plenty of it. We need a break from all that academic hoopla on our blog. So have fun! LOL! Here goes nuttin’.![]()
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Fresco of a lovely woman from Phaistos with the outer edge of the Phaistos Disk surrounding it:
I recently discovered this lovely image on the internet, and I just have to share it with you. PS, regardless of what anyone claims, the Phaistos disk has not been deciphered to anyone else’s satisfaction.
Source: Actual size original tablets & fragments at Knossos from Scripta Minoa
Source: Actual size original tablets & fragments at Knossos from Scripta Minoa
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Source: Takis Shelter
Sappho, spelled (in the dialect spoken by the poet) Psappho, (born c. 610, Lesbos, Greece — died c. 570 BCE). A lyric poet greatly admired in all ages for the beauty of her writing style.
Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

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