Tag: SCRIPTA MINOA

  • KEY POST! How to download all of Scripta Minoa!

    KEY POST! How to download all of Scripta Minoa!
    
    This procedure works only in Firefox, but can be readily adapted to other browsers. To download Scripta Minoa, Vol. 1, in Firefox, 
    
    1. First go to the Google.com search page, as seen here:
    
    google home
    
    
    2. Secondly, copy this address in your Google.com HTML search bar, which in Firefox looks like this:
    
    

    Click to access scriptaminoawrit01evanuoft.pdf

    google search Script Minoa Vol 1620 And click the right arrow above, to open the file: 3. which will now appear on your desktop, at the LINK above, like this in Firefox: Scripta Minoa Vol 1620 4. next, to the far right of the document displayed above, you will see the navy blue DOWNLOAD button, with the DOWNLOAD arrow in white. Click on it to download the file: download the file The DOWNLOAD Button is immediately above. 5. When you click on this button, the next thing you should see is this: save fle CLICK: Save File, to save this file on your computer. You must then open your Downloads Folder, and open this file. Since the procedure to open Downloads in the Downloads Folder varies according to your operating system (Windows XP, Windows 7, Windows 10, Apple) you will have to download and save this file according to your system. I cannot help you with this step. If you need help with this step, consult the HELP files for downloading files on your computer. 6. AFTER you have successfully downloaded this file to your computer, open your Downloads Folder and SAVE the file to your computer, preferably on your desktop. 7. Then open Adobe Acrobat, and open the file on your desktop (or wherever you saved it) in Adobe Acrobat. Adobe Acrobat will open the file far far quicker than the online download, in fact, in a matter of seconds. To download and open Scripta Minoa, Vol. 2, repeat all of the steps above, except that in: Step 2, Secondly, copy this address in your Google.com HTML search bar, which in Firefox looks like this: https://ia902608.us.archive.org/8/items/scriptaminoawrit02evanuoft/scriptaminoawrit02evanuoft.pdf google search Script Minoa Vol 2620 And click the right arrow above, to open the file: And then you should see this page: Scripta Minoa Vol 2620 This is the Google address for Scripta Minoa, Vol. 2, which is not quite the same as the Google address for Scripta Minoa, Vol. 1. NOTE that certain details in Steps 1-7 above will vary from browser to browser. We did not provide instructions for Internet Explorer, as we only use Firefox. So if you are using a browser other than Firefox, you may have to adjust some of the input(s) for each step above. Please NOTE that the Linear B fragments and tablets appear in Scripta Minoa, Volume 2, not Volume 1. You can see this for yourself when you open Scripta Minoa, Volume 2, in your Adobe Acrobat Reader. SCROLL DOWN the file until you see this page, the first page of the fragments and tablets in Vol. 2.: first tablets from scripta minoa vol 2620
  • I-je-re-ja, ka-ra-wi-po-ro and others, article by Cécile Boëlle, academia.edu

    I-je-re-ja, ka-ra-wi-po-ro and others, article by Cécile Boëlle, academia.edu:
    
    Click here to read this fascinating study on the role of women as priestesses in Mycenaean Religion.
    
    ijereja academia
    
    This article is in French. You can download it from the link above and open it in WORD or Open Office.
  • Brian Wyble’s carved facsimile of Linear B tablet KN 349 J b 12. He made this himself

    Brian Wyble’s carved facsimile of Linear B tablet KN 349 J b 12. He made this himself. Amazing!

    Brian Wyble's facsimile of Linear B tablet KN 349 J b 12

    Linear B text Latinized:

    Rukito apudosi + ideogram for “olive oil” 52+ (because it is right

    truncated)

    Translation:

    52 + units (probably amphorae) of olive oil, delivery to Lykinthos.

    Transliterated into archaic Greek:

    n /b / a0mfiforh/#ei e1laia, a0pu/dosij Lu/kinqo.

    Brian is our newest student of Linear B. He already has a fundamental understanding of ancient Greek, although I am sure he realizes from the archaic Greek text above that he needs to master archaic Greek. This should come to him in no time flat.

    Welcome from all of us to the study of Linear B, Brian!

  • Rita Roberts’ translation of Linear B tablet KN 911 D e 01 (Knossos)

    Rita Roberts translation of Linear B tablet KN 911 D e 01 (Knossos):

    Linear B KN 911 D e 01

    This is one of the most complex Linear B tablets Rita Roberts has ever had to translate. She also provided a running free translation of this tablet, but I have had to omit it for lack of space in the graphics file. In other words, if I had included her free translation, the graphics file would have been much too long to display properly. As it stands, it is already very long. One of the prime characteristics of a small subset of Linear B tablets, mostly from Pylos, but in this case from Knossos, is that they are long lists of names, in this case, shepherds taking care of their sheep. Rita Roberts makes the following observations on this tablet.

    Notes:

    This Linear B tablet 911 De 0l (LXX) is a lengthy inventory of hundreds of ewes, billy goats, she goats and rams, I would imagine it is of special interest for Knossos palace. It is difficult to say whether all these animals were brought together at the same time for any specific purpose. If so there are a few reasons to suggest why this could be. The first would be, having to check the stock for health reasons for the possible move to a new pasture. Secondly, it could be that the animals needed to be organized for shearing, also some for slaughter. My final suggestion is, maybe some animals were for possible export. However, these are a few possible reasons for such a large inventory, but on the whole it is a comprehensive inventory for the palace.

    I may as well admit that I passed this tablet onto Rita as I am constitutionally lazy when it comes to deciphering long tablets. However, this is not the only reason. It is vital that Rita master (subjunctive) complex tablets that pose a huge challenge. This one certainly does.

     

     

  • Cretan pictograms, Medallion E, Knossos, after Sir Arthur Evans

    Cretan pictograms, Medallion E, Knossos, after Sir Arthur Evans:

    Cretan pictograms - medallion E Knossos from Arthur Evans

    A few of the Cretan pictograms on Medallion E, Knossos, lend themselves to possible/probable/definite decipherment. These are:

    definite: 5. & 8. (adze, labrys)

    probable: 3. & 7. (spice container, saffron)

    possible: 9. 11. 12. (olive oil lamp, some kind of floral crop, dagger)

    Everything else is indecipherable.

  • Cretan pictograms 118-156 represent the complex forms of unknown, indecipherable pictograms

    Cretan pictograms 118-156 represent the complex forms of unknown, indecipherable pictograms:

    complex unkown Cretan pictograms

    Of these pictograms, a few might be susceptible to some sort of interpretation. These have note numbers following them in this form [1] [2] [3] [4]. [1] appears to be a variant of the pictogram, later the Linear A and Linear B syllabogram NI, which means figs. Both [2] and [3] could represent a bee, since the bee insignia is commonplace on Minoan pendants and necklaces. [4] appears to represent ships.

    All 156 of the pictograms I have posted here on Linear A, Linear B, Knossos & Mycenae, are Class B pictograms, because they are incised on tablets, nodules and pendants in the same way Linear A and Linear B texts are incised in their respective syllabaries. Class A pictograms are more archaic than Class B, and appear mostly on stamps and seals. I shall display a few of the latter in upcoming posts. Class A pictograms, which often resemble Egyptian hieroglyphics, are all but indecipherable, although a very few may lend themselves to tentative decipherment. A few Class B pictograms, especially in the moderately complex to complex range, also close mirror Egyptian counterparts, and may convey similar or the same meanings. On the other hand, some, most or all of them may not. There is simply no way of knowing.

  • Cretan pictograms 85-117 represent the moderately complex forms of unknown, indecipherable pictograms

    Cretan pictograms 85-117 represent the moderately complex forms of unknown, indecipherable pictograms:

    Cretan pictogams moderately complex

     

  • Cretan pictograms 53-84 represent the simplest forms of unknown, indecipherable pictograms

    Cretan pictograms 53-84 represent the simplest forms of unknown, indecipherable pictograms:

    basic unknown Cretan pictograms

     

  • Cretan pictograms – 15-23: crops (possibly/probably/definitely) known

    Cretan pictograms – 15-23: crops (possibly/probably/definitely) known:

    Cretan pictographs crops

    All of the Cretan pictograms from 15 to 23 definitely deal with crops, though in some cases we cannot tell for certain which ones. In other cases, the crops represented by their respective pictograms are either probably or definitely identified. 17a. & 17b. are spice containers. 19a. – 19c. are 3 variants for olives/olive oil. 22. is absolutely the ideogram for wheat. 20. (multiple variants) is saffron.

  • More illustrations (Figures) for my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of Archaeology and Science: PART B

    More illustrations (Figures) for my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of Archaeology and Science: PART B
    
    Here you see more of the Figures, many of them of actual Minoan Linear A tablets as I have deciphered them, which are to appear in my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of the prestigious international annual, Archaeology and Science. 
    
    figure-6-vessel-types-on-linear-a-ht-31
    
    figure-7-translation-linear-a-tablet-ht-31-vessels
    
    figure-8-ay-nicolaus-supersyllabograms
    
    It usually takes me between one and two hours to design each figure.  
    
    
  • More illustrations (Figures) for my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of Archaeology and Science: PART A

    More illustrations (Figures) for my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of Archaeology and Science: PART A
    
    Here you see more of the Figures, many of them of actual Minoan Linear A tablets as I have deciphered them, which are to appear in my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of the prestigious international annual, Archaeology and Science. 
    
    figure-3-minoan-linear-a-tablet-ht-31-haghia-triada
    
    figure-4-linear-b-ta-641-1952-ventris
    
    figure-5-linear-a-tablet-19-puko-tripod
    
    It usually takes me between one and two hours to design each figure.  
    
    
  • UPDATED Table of 27 supersyllabograms in Minoan Linear A

    UPDATED Table of 27 supersyllabograms in Minoan Linear A:
    
    table-of-24-supersyllabograms-in-minoan-linear-a-640
    
    After scanning all of the Minoan Linear A tablets I have deciphered, more or less accurately, I have been obliged to revise the former Table of 24 supersyllabograms in Minoan Linear A to this revised and updated Table of 27 supersyllabograms in Minoan Linear A.  The 3 extra supersyllabograms all appear in the vessels and pottery sector of the Minoan economy. These are PO, SU and U. In addition, the supersyllabogram A is common to both the olive trees, olive oil & olives sub-sector of the agricultural sector and the vessels and pottery sector. 24 of the supersyllabograms in Minoan Linear A are associative, i.e. they accompany, either to the left or to the right, the ideogram with which they are associated. Associative supersyllabograms in Minoan Linear A, as in Mycenaean Linear B refer to some major element or object associated with the ideogram in one way or another, without however defining the ideogram itself in any additional way. On the other hand, the 4 supersyllabograms in the vessels and pottery sector are all attributive, in so far as they  portray a particular attribute of the ideogram in which they are incharged. I have managed to decipher with a high degree of accuracy 1 of the 4 supersyllabograms in the vessels sector,  SU, which signifies supa3ra (supaira), i.e. a two handled small cup, as we see here:
    
    table-of-27-supersyllabograms-in-minoan-linear-a
    
    All in all, the 27 supersyllabograms in Minoan Linear A amount to 75 % of the 36 supersyllabograms in Mycenaean Linear B, without however being in any way related to the latter, either as individual syllabograms or in the semiotic values of these. For instance, the supersyllabogram A incharged in a vessel ideogram in Minoan Linear A does not mean “amphora” as it does mean in Mycenaean Linear B, and by the same token, the SSYL PO in Linear A does not signify “Potiniya”, unless by some sheer co-incidence, Potiniya happens to be a pre-Mycenaean non-Indo-European name of a goddess... which is possible though unlikely.  
    
    I have managed to decipher, more less accurately, 9 or 33 % of the 27 supersyllabograms in Minoan Linear A. These are:
    
    DA = dadumata = grain/wheat measurer (probably) = Linear A sitowoko 
    KA = kapa = foot soldier, attendant to the king = Linear B eqeta
    KI = kidata = to be accepted for delivery = Linear B dekesato
    OR
    kireta2 (kiritai) = delivery = Linear B apudosis
    kiretana = (having been) delivered (past participle passive) = Linear B amoiyeto
    AND
    kireza = unit of measurement for figs, probably 1 basket
    AND
    kiro = owed = Linear B oporo = they owed
    NOTE: the semiotic value of the SSYL KI is sector dependent, hence, polysemiotic. This is also true of many supersyllabograms in Mycenaean Linear B, although the polysemiotic values of the former are never the same as those of the latter, with one exception only, and that exception is the very next supersyllabogram. 
    NI = nipa3 (nipai) or nira2 (nirai) = figs = Linear B suza. But Mycenaean Linear B shares NI with Minoan Linear A, in spite of the fact that the Mycenaean word for figs is suza.   
    PA = pa3ni = silo or amphora for storing grain + pa3nina = grain or wheat stored in an silo or amphora, more likely the former than the latter, as amphorae are not the most practical recepticle for the storage of grain. Recall that the middle Kingdom Egyptians, who were co-temporaneous with the Minoans, stored their grain in dry silos. 
    RA ra*164ti = approx. 5 litres (of wine) 
    SA sara2 (sarai) = small unit of measurement: dry approx. 1 kg., liquid approx. 1 litre
    SU = supa3ra (supaira) = a small cup with handles
    TE = tereza = standard unit of dry or liquid measurement
    
    For the time being, the semiotic values of the remaining 18 or 66 % supersyllabograms in Minoan Linear A are beyond my ken.
    
    On a final note, you can see for yourselves that I have displayed the actual appearance of each supersyllabogram in Linear A immediately to the LEFT of the Latin value. In addition, the 9 Latinized supersyllabograms which I have managed to decipher, more or less accurately, are incharged with the alphabetical character D.
    
    All of the above text will be part and parcel of my upcoming major article, “Pylos tablet Py TA 641-1952 (Ventris), the Rosetta Stone to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” and a Glossary of 110 words in Linear A”, Vol. 12 (2016) of the prestigious international hard-bound annual, Archaeology and Science (Belgrade) ISSN 1452-7448, to be released sometime late in 2017 or early in 2018. This is to be the most significant article I shall have ever published in my entire lifetime, as it represents the first serious attempt in the 116 years since the first discovery of a smattering of Minoan Linear A tablets by Sir Arthur Evans  at Knossos in the spring and summer of 1900 to decipher at least a portion (21.5 % of Minoan Linear A vocabulary, but certainly not the Minoan language itself, in a unique approach never before assayed by any previous philologist or historical linguist who has endeavoured to do the precise opposite to what I have done, i.e. to decipher the entire Minoan language, a goal which is manifestly impossible and plainly unrealistic. All prior philologists have claimed to have deciphered the  Minoan language, a claim I would never be so rash or idealistic as to forward.
    
    I went to a great deal of trouble to make this Table of 27 Supersyllabograms as professional looking as I could. So I hope that some of you will comment on its graphics and graphical layout, or at least vote for it, LIKE, with the number of stars you deem appropriate (hopefully 5).  
    
    
  • Illustrations of 5 Minoan Linear A tablets (Figures) in Archaeology and Science (2016)

    Illustrations of 5 Minoan Linear A tablets (Figures) in Archaeology and Science (2016):
    
    a-figure-1-linear-a-ht-31-pavel-serafimov-anton-perdih
    
    b-figure-2-linear-a-ht-13-translation-by-richard-vallance-janke
    
    figure-3-linear-a-tablet-19-puko-tripod
    
    linear-a-ht-12-qatidate-olive-tree
    
    ht-117-lineara-epigraphic-harvest-festival-ideogram-vessel-daro
    
    Above are 5 illustrations of some (not all) of the Minoan Linear A tablets, reduced to 620 pixels, as they will appear as Figures (with the Figure nos. assigned only to Figures 1 & 2, other Figure nos. not yet assigned) in my upcoming article, “Pylos Tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ for Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in the prestigious international annual Archaeology and Science, Vol. 12 (2016) ISSN 1452-7448. This is to be the third major article in a row which I will see published in Archaeology and Science.
    
    This paper represents the first genuine breakthrough in the decipherment of Minoan Linear A vocabulary (not the language!) in the 116 years since the first Linear A tablets were unearthed by Sir Arthur Evans at Knossos in 1900.
    
    
  • MAJOR DEVELOPMENT! 24 Supersyllabograms in Minoan Linear A just discovered, 8 of them deciphered (versus 36 in Mycenaean Linear B)

    MAJOR DEVELOPMENT! 24 Supersyllabograms in Minoan Linear A just discovered, 8 of them deciphered (versus 36 in Mycenaean Linear B):
    
    supersyllabograms-in-minoan-linear-a-ti
    
    In case you were wondering whether or not the Mycenaeans invented supersyllabograms, think again. It was the Minoan Linear A scribes who invented them, and passed them on to their Mycenaean heirs. I never even suspected there were supersyllabograms in Minoan Linear A until I started trying to decipher at least some Minoan terms in May of 2016. Lo and behold, to my astonishment, there are 24 of them in Linear A, a substantial number, amounting to 66 % of the number of supersyllabograms in Mycenaean Linear B = 36. It is now obvious that if I can decipher any more than the 8 supersyllabograms I have already translated in Minoan Linear A, I may very well be able to decipher more Minoan Linear A words. It remains to be seen. However, I am greatly encouraged by the fact that the apparent meanings of the 8 supersyllabograms I have already deciphered in Minoan Linear A seem to match almost perfectly the actual translations of the Minoan Linear A words to which they apparently correspond. See my decipherments of 8 Minoan Linear A SSYLS (supersyllabograms) following the table of SSYLs in Linear A immediately below.
    
    If it had not been for the fact that I successfully deciphered  the 36 supersyllabograms in Mycenaean Linear B, I would never have stumbled upon the 24 SSYLs in Minoan Linear A, nor would I have been able to cross-correlate these 8 supersyllabograms, DA KA KI NI PA RA SA TE. These 8 supersyllabograms account for 33 % of all the SSYLs in Minoan Linear A. My decipherments of the 8 SSYLs is quite an achievement, considering I, like everyone else in the world, do not know what the Minoan language actually is. I stress again, I have only managed to decipher some of its vocabulary, not the language itself. This is in stark contrast to the 36 supersyllabograms in Mycenaean Linear B which I have been able to decipher with relative ease, in view of the fact that I am intimately familiar with Mycenaean Linear B, having already translated at least 1,000 Linear B tablets. So the fact that I have been able to decipher even 8 of 24 supersyllabograms in Minoan Linear A is almost a miracle in itself.
    
    You can be sure that my decipherments of these 8 Linear A supersyllabograms will figure largely in my upcoming article in Archaeology and Science, Vol. 16 (2016) (Belgrade) ISSN 1452-7448, “Linear B tablet Pylos TA 641-1952 (Ventris), the “Rosetta Stone” for Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery”. You can just imagine how exciting a development this has been for me!
    
    Moreover, this development has allowed me to add yet another Minoan Linear A term to my Glossary of Minoan Linear A, samuku, which almost certainly refers to the harvest(ing) of grains (barley or wheat). See SPECIAL NOTES at the end of this post.
    
    The Table of 24 Minoan Linear A supersyllabograms From Haghia Triada (HT) & Khania (KH):
     
    A	HT2	olive oil HT39 vase (v)
    DA	HT133 (g)
    DI *	HT12	olive oil (qatidate) HT14 (oo) HT28 HT50 HT90 HT121 HT129
    E *	HT2	olive oil HT21 HT34 (g) (+ sumuku huge nos.) HT50 HT58 (oo)
    KA *	HT28 	man (m) HT88 HT97 HT100
    KE	HT26	(vase)
    KI *	HT8	olive oil HT18 HT28 HT44 HT50 HT91 HT101 HT125 HT129 HT140
    KU	HT32	cloth (c) HT61 (g) HT128 X4!
    MI *	HT28 (oo) HT50 HT90 HT91 HT100 HT101 HT116 X2 b HT125 HT137
    NE *	HT23 (oo) HT32 HT100
    NI	appears on several Linear A tablets all by itself, and invariably means figs. It is the only supersyllabogram shared with Mycenaean Linear B, which apparently simply inherited it lock, stock and barrel from Minoan Linear A.
    QE *	HT18 grains (g) HT28 HT36 HT99 HT101 HT121 (oo)
    PA *	HT43 (g) HT93 X3! HT102 X2 HT120 X2 HT125 HT128 KT27
    RA	HT44 (oo)  KH91 (v)
    RI	HT23 (oo) HT35 HT60 HT110 (v) KH82 (oo)
    RU *	KH12 (v) KH63 KH84 KH85 KH91
    SA	HT27 (w) (g) HT131 (w)
    SI	HT27 (w)
    TA *	HT30 (oo) HT35 KH19 KH39 KH55 KH61 KH85
    TE	HT3	figs HT9 wine HT13 (w) (kaudeta) HT18 HT19 HT21 HT40 HT44 (g) HT51 (f) HT62 (w) HT67 (f) HT70 (f) HT96 HT133 (g)
    TU *	HT23 (oo) HT28 HT50 HT101
    U *	HT2 	olive oil HT21 HT28 HT40 HT44 HT58 HT91 HT96 HT100 HT101 HT125 HT140 X3
    WA	HT27 (w)
    WI	KH5 (w = vinegar)
    
    * All of the following supersyllabograms in Minoan Linear A deal exclusively with olive oil: DI E KI MI NE TA TU U
    
    * All of the following supersyllabograms in Minoan Linear A deal exclusively with grain: DA QE (except for HT121) PA
    
    * All of the following supersyllabograms in Minoan Linear A deal exclusively with wine: SA SI WA WI
    
    * The supersyllabograms KE & RU in Minoan Linear A deal exclusively with vases and pottery.
    
    * The supersyllabogram KA in Minoan Linear A deals exclusively with men.
    
    Supersyllabograms I have deciphered in Minoan Linear A:
    
    I have already more or less successfully deciphered the following 8 supersyllabograms in Minoan Linear A:
    
    DA = dadumata = grain/wheat measurer? = Linear B sitokowo
    KA = kapa = follower or foot soldier, attendant to the king 
    KI = kidata = to be accepted for delivery = Linear B dekesato
    OR
    kireta2 (kiritai) = delivery = Linear B apudosis
    kiretana = (having been) delivered (past participle passive) = Linear B amoiyeto
    AND
    kireza = unit of measurement for figs, probably 1 basket
    AND
    kiro = owed = Linear B oporo = they owed
    NI = nipa3 (nipai) or nira2 (nirai) = figs = Linear B suza. But Mycenaean Linear B shares NI with Minoan Linear A, in spite of the fact that the Mycenaean word for figs is suza.   
    PA = pa3ni (amphora for storing grain) + pa3nina = grain or wheat stored in an amphora
    RA ra*164ti = approx. 5 litres (of wine) 
    SA sara2 (sarai) = small unit of measurement: dry approx. 1 kg., liquid approx. 1 litre
    TE = tereza = standard unit of usually liquid measurement, sometimes of dry measurement
    
    All of my decipherments of supersyllabograms in Minoan Linear A further substantiate my decipherments of the Minoan Linear A terms to which they correspond (as seen above).
    
    Here is Table 8 of the 36 Supersyllabograms I have deciphered in Mycenaean Linear B: 
    
    table-8-supersyllabograms-in-linear-b
    
    The meanings of the supersyllabograms in Mycenaean Linear B do NOT correspond in any way with those in Minoan Linear A. This table appears in my soon to be published article, “The Decipherment of Supersyllabograms in Linear B” in Vol. 15 (2015) of the prestigious international annual, Archaeology and Science (Belgrade) ISSN 1452-7448. 
    
    SPECIAL NOTES:
    
    [1] The SSYL KI for olive oil has something to do with sara2 (sarai) = small unit of measurement: dry approx. 1 kg., liquid approx. 1 litre OR kireta2 (kiritai) = delivery = Linear B apudosis + kiretana = (having been) delivered (past participle passive) = Linear B amoiyeto OR kireza = unit of measurement for figs, probably 1 basket OR kiro = owed = Linear B oporo = they owed. 
    
    [2] Although I have been unable to decipher the supersyllabogram E for olives, it has facilitated my translation of yet another Minoan Linear A word,  samuku, which appears in such huge numbers (245 + 100) on Minoan Linear A tablet HT 34, dealing specifically with grains (barley or wheat) that is almost certainly means the “harvest” of a total of 345 large units of grains, corresponding to something like our modern bushels.   
    
  • Minoan Linear A, Linear B, Knossos & Mycenae reaches the threshold of 100,000 visitors

    Minoan Linear A, Linear B, Knossos & Mycenae reaches the threshold of 100,000 visitors: (Click the banner to visit)
    
    minoan-linear-a-linear-b-knossos-mycenae-now-ranked-on-first-page-of-google-search-on-minoan-linear-a-mycenaean-linear-b-reaches-100000-visitors
    
    Minoan Linear A, Linear B, Knossos & Mycenae reaches the threshold of 100,000 visitors after 3 1/2 years in existence. This may not sound very impressive to a lot of people, but when we pause  consider, even for a moment, that our blog deals specifically and almost solely with Minoan Linear A, Mycenaean Linear B and Arcado-Cypriot Linear C, the statistics look much more healthy. No-one on earth, apart from myself, can read any Minoan Linear A at all, and very very few can read Mycenaean Linear B or Arcado-Cypriot Linear C. So in this light, the statistics are all the more impressive. After all, even most of our our most loyal visitors cannot read at least 2 of these three syllabaries, even though several are adept with Homer and Classical Greek, as am I. By the way, our blog also features my own translation of the Catalogue of Ships in Book II of the Iliad, which has a direct bearing on the features of Homeric vocabulary and syntax inherited directly from Mycenaean Linear B.
    
    In this period, we have posted well over 1,300 posts, with translations of hundreds of Mycenaean Linear B tablets, scores of Minoan Linear A tablets and even a few Arcado-Cypriot tablets. Our media library consists of 10s of thousands of photos, images and frescoes & paintings.
    
    We are, in a word, the largest Minoan Linear A, Mycenaean Linear B & Arcado-Cypriot Linear C site on the internet. Even omitting Linear A and Linear C, we rank in the top 3 of official Mycenaean Linear B sites.
    
    
  • 3 of my articles in Archaeology and Science ISSN 1452-7448 (2014, 2015, & 2016) + Vol. 12 (2016) Figure 1 & 2 Tables

    3 of my articles in Archaeology and Science ISSN 1452-7448 (2014, 2015, & 2016) + Vol. 12 (2016) Figure 1 & 2 Tables:
    
    Figure 1
    
    table-1-failures-at-decipherment
    
    and
    
    2 Tables (nos. To be assigned)
    
    linear-horizontal-orientation
    
    linearbtabletsorientation
    
    as they will appear in the prestigious international hard-bound annual Archaeology and Science ISSN 1452-7448. Vol. 12 (2016). This annual generally runs to 250-300 pp. 
    
    It is impossible to cross-correlate Minoan Linear A tablets from Mycenaean Linear B tablets by means of retrogressive extrapolation without explicitly taking into account the fact that almost all Minoan Linear A tablets are vertical in their orientation (just as with modern inventories), while the vast majority of Mycenaean Linear B tablets are horizontal in their orientation. For more on this critical factor in the reasonably accurate decipherment of Minoan Linear A tablet, see (Click on the banner):
    
    orientation-of-linear-a-tablets
    
    Articles published and to be published in Archaeology and Science (Belgrade) ISSN 1452-7448:
    
    [1] My article, “An Archaeologist’s Translation of Pylos Tablet 641-1952 (Ventris)” has already been published in  Archaeology and Science (Belgrade) ISSN 1452-7448 Vol. 10 (2014). pp. 133-161 (Click banner to download it):
    
    archaeology-and-science-vol-10-2014
    
    [2] My article, “The Decipherment of Supersyllabograms in Mycenaean Linear B” is already slated for publication in the prestigious international annual Archaeology and Science (Belgrade) ISSN 1452-7448 Vol. 11 (2015), to be released in the spring of 2017. (Click the banner for the announcement):
    
    archaeology-and-science-vol-11-2015
    
    [3] My article,  “Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ for Minoan Linear B tablet HT 31 (Haghia Triada) vessels and pottery” is to be published in the prestigious international annual Archaeology and Science (Belgrade) ISSN 1452-7448 Vol. 12 (2016) (Click the banner for the announcement):
    
    archaeology-and-science-vol-12-2016
    
    This major announcement is shortly to appear on my academia.edu account.
    
    richard-vallance-academia-edu
    
    
  • Decipherment of Minoan Linear A tablet HT 131 (Haghia Triada) qareto = Linear B onato = “lease field”

    Decipherment of Minoan Linear A tablet HT 131 (Haghia Triada) qareto = Linear B onato = “lease field”:
    
    Following hard on the heels of Minoan Linear A tablet HT 31 (Haghia Triada), dealing with vessels and pottery, which I have been able to successfully decipher with high precision from top to bottom, comes this tablet HT 131, focused on rams on a lease field.  How do I know this? As I have already pointed out several times on this blog, by utilizing the procedure of cross-correlative regressive extrapolation from similar or almost identical Mycenaean Linear B tablets, it is possible to reconstruct with high or moderately high accuracy the contents of many Minoan Linear A tablets. As we has already learned, Pylos tablet Py TA 641-1952 (Ventris) may reasonably be considered the “Rosetta stone” for Minoan Linear A tablet HT 31 (Haghia Triada). And so it has proven to be the case.
    
    The same methodology, cross-correlative regressive extrapolation (or CCRE) from Mycenaean Linear B tablets closely corresponding to earlier Minoan Linear A t tablets can and does yield satisfying results. Take for instance Mycenaean Linear B tablet KN 1383 E j 924 from Knossos:
    
    knossos-tablet-kn-1383-e-j-924-25-rams-onato-lease-field
    
    On this tablet we find the supersyllabogram O, which symbolizes the Mycenaean Linear B word, onato, meaning “lease field”. Notice also that the number of rams on this lease field = 99 and the number of ewes = 19 on the first line, while on the second, the number of rams = 25, all of them on a lease field.
    
    Now taking in turn Minoan Linear A tablet HT 131:
    
    minoan-linear-tablet-ht-132-qareto-27-sheep-lease-field-or-plot-of-land
    
    land-around-the-ancient-city-of-knossos
    
    we find to our surprise and satisfaction that the number of sheep is 27, and that these sheep have something to do with the Minoan Linear A word, qareto. I put it to you that qareto very probably means precisely the same thing as onato does in Mycenaean Greek. Hence, these two tablets, the Minoan and the second line of the Mycenaean, are practically identical. Of course, anyone can object — and such a person would be right — that the closely matched number of sheep on these two tablets (25 on the Linear A and 27 on the Linear B) is mere happenstance. However, the fact that the only surviving Minoan Linear A tablet with the term qareto on it matches up so neatly with the Mycenaean Linear B tablet from Knossos above is pretty good circumstantial evidence that the two tablets are dealing with one and the same phenomenon.
    
    So I have assigned a scalar value of  > 75 % to qareto on the Linear B tablet, signifying that the chances this term means “lease field” are very good. Not perfect, but a decent match with the Mycenaean Linear B tablet. This is one of the Minoan Linear A terms which I shall be highlighting in my upcoming article in Vol. 12 (2016), “Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” of the prestigious international annual, Archaeology and Science ISSN 1452-7448. This will be the third straight article in a row I shall have published in this annual by late 2017 or early 2018.
     
    

Sappho, spelled (in the dialect spoken by the poet) Psappho, (born c. 610, Lesbos, Greece — died c. 570 BCE). A lyric poet greatly admired in all ages for the beauty of her writing style.

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

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