KEY POST! Slated for publication in Archaeology and Science Vol. 12 (2016),“Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery”

Slated for publication in Archaeology and Science Vol. 12 (2016),“Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery”:

archaeology-and-science-vol-12-2016-2018Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery”, is definitively slated for publication in Vol. 12 (2016) in the prestigious international annual, Archaeology and Science ISSN 1452-7448 (release date spring 2018). To be submitted by Nov. 15, 2016.

This is the ground-breaking article in which I announce to the world my success at a partial decipherment of some of the vocabulary of Minoan Linear A, not of the language itself, which no one is in a position to decipher, given the extreme paucity of extant tablets and fragments (<500), of which the vast majority are fragments.  

In the progressive layout of the draft of this revolutionary article, I shall be featuring the following Minoan Linear A tablets and commentaries on Minoan Linear A in my article (in this approximate order), as per previous posts on this blog (Click on each link to visit its post):

INTRODUCTION

Linear B tablet Pylos TA 641-1952 (Ventris) is the Mycenaean Linear B “Rosetta Stone” for Minoan Linear A tablet HT 31 (Haghia Triada)

a-pylos-ta-641-1952-ventris

5 words of vessel types in Minoan Linear A: Linear A tablet HT 31 (Haghia Triada)

b-5-words

Linear A tablet tagged “19” & the Minoan word for “tripod” = puko (confirmation)

c-ht-19

FAILED DECIPHERMENTS

d-failed-decipherments

Proto-Slavic interpretation of Minoan Linear A tablet HT 13 (Haghia Triada) — another decipherment gone awry

d-proto-slavic

2 vastly different decipherments of Minoan Linear A tablet HT 13 (Haghia Triada). Does either measure up?

d-proto-slavic

PROSPECTS FOR DECIPHERMENT

How far can we go deciphering Minoan Linear A? And now for the bad news

e-how-far

What are the current prospects for deciphering Minoan Linear A? Dismal but…

f-prospects

PRINCIPLES & CROSS-CORRELATION

g-5-principles

The 5 principles applicable to the rational partial decipherment of Minoan Linear A

The principle of cross-correlative cohesion between Minoan Linear A & Mycenaean Linear B & logical fallacies

h-cross-correlative

ACTUAL MINOAN LINEAR A TABLETS SUSCEPTIBLE TO AT LEAST PARTIAL DECIPHERMENT

Minoan Linear A tablet HT 132 qareto = lease field (post lost, to be reposted)

i-qareto

Mycenaean Linear B tablets on terms and activities related to olive oil as templates for cross-correlation to Minoan Linear A tablets

j-olive-oil

Minoan Linear A tablet HT 12 & qatidate = Mycenaean Linear B erawa = olive tree(s)

j-olive-oil

UPDATE on the military Minoan Linear A tablet HT 94 (Haghia Triada) = attendants to the king/foot soldiers

k-kapa
Minoan Linear A kirita2 (kiritai) = delivery & kiretana = delivered (nos. 67 & 68 deciphered)

l-delivery

Minoan Linear A tablet HT 13 (Haghia Triada) & wine

m-ht-13

Minoan Linear whorls unearthed by Heinrich Schliemann at Troy in 1875 & their striking similarity to the Linear A whorls (recto/verso) illustrated here

n-troy

Minoan Linear A words: 7 types of cloth on tablet HT 117 (Haghia Triada) compared with 7 types of cloth in Mycenaean Linear B

o-cloth

GLOSSARY OF MINOAN LINEAR A TERMS & CONCLUSIONS

Glossary of 134 words & Partial decipherment of Minoan Linear A : a rational approach from Mycenaean Linear B (final version)

p-glossary

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Sappho, spelled (in the dialect spoken by the poet) Psappho, (born c. 610, Lesbos, Greece — died c. 570 BCE). A lyric poet greatly admired in all ages for the beauty of her writing style.

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

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