Minoan Linear A words: 7 types of cloth on tablet HT 117 (Haghia Triada) compared with 7 types of cloth in Mycenaean Linear B

Minoan Linear A words: 7 types of cloth on tablet HT 117 (Haghia Triada) compared with 7 types of cloth in Mycenaean Linear B:

kinds of cloth in Minoan Linear A

My, my, what a co-incidence? Or is it?  7 types of cloth are apparently tallied on tablet HT 117 (Haghia Triada), at least if I have translated the “correct” words corresponding to cloth types in Minoan Linear A (although I am fairly certain I have come close to the mark), and these can be compared with 7 types of cloth in Mycenaean Linear B,

kinds of cloth in Mycenaean Linear B

although in the latter case I may have missed 1 or 2 types of cloth. At any rate, no one knows what kinds of textiles/cloth even the words in Mycenaean Linear B refer to, so what does it matter if the 7 Minoan Linear terms for cloth/textiles do not align with their supposed Mycenaean Linear B counterparts? It does not matter one jot, since we will never know what the cloth/textile types are in either syllabary. So take your pick. One is as good as the next.

The main point is that we have apparently catalogued 7 major types of textiles/cloth in Minoan Linear A with a fairly high degree of certainty ( > 60 %).

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Sappho, spelled (in the dialect spoken by the poet) Psappho, (born c. 610, Lesbos, Greece — died c. 570 BCE). A lyric poet greatly admired in all ages for the beauty of her writing style.

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

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