Category: Blog Guide

  • MAJOR Announcement! PARTNERSHIP with KORYVANTES: Association of Historical Studies: A World-Renowned Historical Greek site: Click to visit KORYVANTES:

    MAJOR Announcement! PARTNERSHIP with KORYVANTES: Association of Historical Studies: A World-Renowned Historical Greek site: Click to visit KORYVANTES:
    
    Koryvanteslogopng
    
    KORYVANTES: Who we are
    
    KORYVANTES”, The Association of Historical Studies, is a Cultural Organization, researching and applying experimentally the Military Heritage of the Greeks from the Bronze Age to the late Byzantium.Koryvantes” has participated in Academic conferences of Experimental Archaeology (University of Warsaw 2011, Academy of Pultusk 2012, University of Belgrade 2012, Organization Exarc / Denmark 2013 ), while our studies have been published in academic literature (British Archaeology Report Series) and Special International Journals (Ancient Warfare Magazine ).Koryvates” has participated in International Archaeological Festivals (Biskupin / Poland 2011 , Lyon / France , 2012 ) and International Traditional Archery Festivals ( Istanbul 2013 Amasya 2013 , Biga 2013 , Kiev 2013) , presenting high quality shows to thousands of viewers.Koryvantes” has participated in major international TV Productions (History Channel, BBC2, BBC 4, ITV), on the thematics of warfare and culture of ancient Greece.
    
    Since 2008, we have spearheaded research and the practical study of Greek Warfare at an international level, reconstructing and testing weapons, armour and fighting techniques of 3,300 years of Greek History.
    
    The Major Concerns & Areas of Research of our Site are: Experimental Archaeology, Academic Research, MYCENAEAN EQUETA, Archaic Hoplite, Classical Hoplite, Byzantine Vandon, Traditional Archery, 33 Centuries of History (CAPS for MYCENAEAN EQUETA by Richard Vallance Janke) Click on this banner to visit ALL CATEGORIES:
    
    ourcategories
    
    For photos of people arrayed in the armour of the Mycenaean Equeta, Click on this photo to visit the page:
    
    
    Equeta
    Text minimally revised by Richard Vallance Janke to reflect Canadian English. 
    
    TO CONTACT US:
    
    contactus
    
    For more information on the KORYVANTES, visit WIKIPEDIA: Korybantes
    
    Kadmos_dragon_Louvre_E707
    
    You may also visit KORYVANTES on Twitter here:
    
    Koryvantes Twitter
    
    and follow them if your are a student, researcher, professor or an aficionado of Mycenaean History and Linear B, Arcado-Cypriot Linear C, ancient Greek Military History, and Homer’s Iliad and Odyssey. I fully expect that KORYVANTES will be profoundly interested in my translation of the entire Catalogue of Ships, which I expect to finish by spring 2015.
    
    KORYVANTES IS WITHOUT QUESTION THE MOST IMPORTANT PARTNER SITE LINEAR B, KNOSSOS & MYCENAE HAS EVER PARTNERED WITH! We shall be reblogging a great many posts from KORYVANTES, and we are certain that they shall be doing the same with many of ours.
    
    English-Myceneaen Linear B & Arcado-Cypriot Linear C Greek Lexicon:
    
    My research colleague, Rita Roberts and I, shall soon be compiling the first major LEXICON of our all-new, extremely comprehensive English-Mycenaean Linear B & Arcado-Cypriot Linear C Greek Lexicon which is to be published in its entirety sometime in 2018. When it is published, it will be by far the largest and most comprehensive Linear B & Linear C Lexicon on Mycenaean Linear B and the first ever on Arcado-Cypriot Linear C ever published.  Published FREE in PDF format, it is bound to at least double the currently attested (A) Mycenaean vocabulary of some 2,500 words, logograms and ideograms to at least twice that many attested (A) and derived (D) lexical entries, to at least 5,000, if not 6,000 – 7,000 words.
    
    The Military section of this Lexicon is to be published first, meaning that KORYVANTES, The Association of Historical Studies, will benefit fully from the largest vocabulary of Mycenaean Linear B Military Terminology ever assembled online or in print. It will be published on its own sometime later this year as a prelude to our full lexicon, under the title, An English-Mycenaean Linear B/Mycenaean Linear B-English Lexicon of Military Terminology (PDF).      
    
    Richard 
    
    
  • Our Twitter Followers up to 801 Jan. 2015 from 500 Jan. 2014! With our thanks – Richard

    Our Twitter Followers up to 801 Jan. 2015 from 500 Jan. 2014! With our thanks - Richard 
    
    Here is my own Twitter account: Click to visit
    
    2015vallance22Twitter
    
    If you too wish to follow us, we would be most obliged. Given the esoteric nature of Mycenaean Linear B, Arcado-Cypriot Linear C & Minoan Linear A, it is a wonder we have so many followers.
    
    Here is the Twitter account of my research colleague, Rita Roberts: Click to visit
    
    2015. Rita Roberts twitter
    
    This means that between us, we now have 1164 followers. That really pleases me.
    
    Richard
    
     
    
  • An Easy Guide to Learning the Linear C Syllabary for Arcado-Cypriot & a Plea to our Followers

    An Easy Guide to Learning the Linear C Syllabary for Arcado-Cypriot & a Plea to our Followers: Click to ENLARGE
    
    Easy Guide to Learning Linear C Arcado-Cypriot
    I have just spent 3 hours compiling this Easy Guide to Learning the Linear C Syllabary for Arcado-Cypriot. There is nothing like it on the entire Internet. I have obviously done this for the benefit of those of you who wish to learn the syllabary, and for those of you who are already familiar with it, but who would like to see for yourselves just how elegant the geometric economy of Linear C is, even in comparison with Linear B for Mycenaean Greek. Linear C contains only syllabograms, whereas Linear B has 61 syllabograms, numerous homophones, logograms something like 100 ideograms, which makes for a much more challenging learning curve. In fact, Linear C represents the final step in the two syllabic scripts (B & C) before the various avatars of the ancient Greek alphabet were adopted ca. 800-700 BCE. And we must remember that the relative simplicity of Linear C allowed it to last from ca. 1100 BCE to at least 400 BCE, since the Arcadians and Cypriots could see no real reason to abandon what was after all a very easy syllabary for the Greek alphabet, although they did start using the Greek alphabet alongside the syllabary by about the seventh century BCE. The Idalion Tablet, for instance, is composed in both Linear C and in the Greek alphabet, the latter acting as a check on the accuracy of the Linear C syllabograms, and in turn, as we shall see later on this year, as a check on the Linear B syllabograms as well, facilitating more accurate translations of tablets in the latter syllabary.
    
    Michael Ventris & Prof. John Chadwick were fully aware of the urgent need for cross-correlation of the values of the Linear C syllabary used for writing Arcado-Cypriot Greek as a check on the correctness of the Linear B syllabary for Mycenaean Greek. We must always keep in mind that of all the ancient dialects, no two were more intimately related than the Mycenaean and the Arcado-Cypriot, which were in fact, kissing cousins, much more closely related even than Ionic and Attic Greek. Here is what Prof. Chadwick so aptly points out in The Decipherment of Linear B (Second Edition) Cambridge University Press, © 1970:The conclusion was already advanced that the new dialect was most closely related to Arcadian and Cypriot, as had been predicted...” (pg. 78) & again, “We know not only that the Mycenaeans were Greeks, but also what sort of Greek they spoke. They were not Dorians,... passim...  But at least we can say that linguistically their nearest relatives were the Arcadians and Cypriots, and next to them the Ionians.” Thus, any attempt to correlate the East Greek Mycenaean and Arcado-Cypriot dialects with the West Greek Dorian dialect is bound to prove a failure.
    
    I WOULD LIKE TO NOTE IN PASSING THAT, AFTER ALMOST TWO YEARS OF MARKED SUCCESS WITH OUR BLOG ON THE INTERNET, ALMOST NO-BODY EVER TAGS OUR POSTS WITH “LIKE” OR FAVORITES THEM, OR FOR THAT MATTER EVEN BOTHERS TO RETWEET THEM MORE THAN A COUPLE OF TIMES, ALL THIS IN SPITE OF THE FACT THAT THERE IS NO RICHER SOURCE FOR SO MANY ASPECTS OF MYCENAEAN LINEAR B, ARCADO-CYPRIOT LINEAR C & THE TRANSLATION OF THE ENTIRE CATALOGUE OF SHIPS IN BOOK TWO OF THE ILIAD ON THE INTERNET. That this is a huge disappointment and source of discouragement to both myself and my research colleague, Rita Roberts, is an understatement, to say the very least. I sincerely hope that our devoted followers and other folks involved in research into Linear B & C will rectify this sad state of affairs all through this year, 2015.
    
    Thank you
    
    Richard 
    
    
  • NEWS RELEASE! Just a few of the KEY Twitter Accounts following us

    NEWS RELEASE! Just a few of the KEY Twitter Accounts following us: Click our banner to view our Twitter account:
    
    Twitter KONOSO Knossos
    
    Note that the number of Twitter accounts following us has grown from about 500 at the beginning of 2014 to just short of 800 now, growing at a rate of 10-20 new followers per month.  
    
    As of December 2014, we have the honour and privilege of being followed by some of the more significant, indeed some of the most important Twitter accounts. Of these, perhaps the most impressive is none other than The British Museum, with 428,000 followers: Click on its banner to visit their Twitter (also Click on all of the other Twitter accounts below to do the same): Click here:
    
    Twitter The British Museum
    You will perhaps have noticed that The British Museum follows fewer than 10 % of the Twitter accounts who follow them; so it is particularly telling that they decided to follow us.
    
    Here are some more Twitter accounts of direct relevance to ours, starting with linguistics:
    
    Twitter Babel
    Once again, Babel follows just over 10 % of those who follow them. They stood up and noticed us.
    
    And here we have just of few of the scores of Twitter accounts relevant to ours following us:
    
    Twitter language crawler
    
    Twitter logos ancient Greek
    
    Twitter Erik Welo University of Oslo
    Twitter Orestes Agamemnon
    
    who by the way lives in Mycenae.
    
    Twitter Greek+Latin Grammar
    
    
    Twitter Archaeology & Arts
    
    Twitter Philosophical Gree
    And here are just two of the most popular MEDIA and Promotional accounts on Twitter now following us (some of them with 100s of thousands of followers):
    
    Twitter Terri Bauman
    
    Twitter Kigray memoe! 2014 R2l
    
    Richard
    
    
    
  • MEDIA Linear B Tablet, Heraklion Archaeological Museum, List of Men Including the “Basileus” or Viceroy

    MEDIA Linear B Tablet, Heraklion Archaeological Museum, List of Men Including the “Basileus” or Viceroy: Click to ENLARGE

    Heraklion Archaeological Museum tablet wanaka qasiereu viceroy

    This magnificent photograph was taken by my colleague and fellow Linear B researcher, Rita Roberts, who actually lives in Heraklion, Crete, only five kilometres from Knossos. Rita is also a retired archaeologist who worked for years with pottery and other precious Minoan findings at the site of Knossos. I am so very fortunate to have her as my colleague. She and I have been working together for at least 15 months, almost since the founding of this great Linear B blog 20 months ago. In spite of our recent advent on the scene, our blog is now the second largest of its kind on the Internet, with the blog, Linear B Syllabary – the ancient script of Crete – Omniglot, the only one ahead of us. To visit Omniglot, Linear B, click here:

    OMNIGLOT Linear B

    A general search on “Mycenaean Linear B” finds us several times on just the first two pages. I would like to make it absolutely clear that, in the field of linguistic research into Mycenaean Linear B & Arcado-Cypriot Linear C in particular we leave no stone unturned. We will go to any lengths to unearth absolutely every scrap of evidence, every instance of new research and insights into these scripts and all related matters. So if you are looking for a clearinghouse on “everything you ever wanted to know about Linear B, but were afraid to ask”, you have just found it.

    Our Twitter account, Knossos KO NO SO, is the only Twitter page on the entire Internet focusing specifically on Mycenaean Linear B, undeciphered Minoan Linear A & Arcado-Cypriot Linear C, as well as on related areas of historical significance such as The Catalogue of Ships in Book II of Homer’s Iliad, archaic Greek dialects, Classical Ionic & Attic Greek, the Twitter account of Henry George Liddell Scott, and others like these. If you wish to follow us on Twitter, click HERE:

    Twitter Konoso Knossos vallance22

  • Easy GUIDE to searching any topic or area of research of interest to you on our blog

    Easy GUIDE to searching any topic or area of research of interest to you on our blog: Click to ENLARGE
    
    MENUS & Categories
    In response to a concern professed by one of our regular blog viewers, a concern undoubtedly shared with many others, I have designed for your convenience the handy little graphical guide you see above. On a blog as large as ours, with far in excess of 500 posts in a little over 19 months, a very high posting rate for a blog on something as esoteric and far-fetched as Mycenaean Linear B, Minoan Linear A & Arcado-Cypriot Linear C, among other linguistic research areas of primary concern to us, is it any wonder that we have classified our blog Menus and Categories to such a level of precision? There is simply no way around this approach to archived posts, given that our blog is already the third largest Linear B blog on the entire Internet. Simply by clicking on any Menu or Category item, you will be immediately taken to all of the archival entries under the same.
    
    There is a distinction between Menus & Categories.
    
    Menus refer either to general posts under that topic or to Links to other major Linear B (-related) sites.
    
    Categories are much more comprehensive. Virtually all archival entries under the Category you are interested in searching will be brought up for you to research at your leisure, in reverse chronological order. Categories are further sub-divided into MAJOR (in CAPS or UC) and Minor (LC). Some Categories contain a great many posts. The greatest number of posts by far fall under the Categories, Tablets & Scripta Minoa (for tablets at Knossos only), but we have not capitalized these, because while they are of great interest to all Linear B tablet decipherment specialists and translators, they are not the primary focus of our blog, in spite of their transparent importance to Linear B research. We lay particular, even heavy, emphasis on the Categories in CAPS (UC), since these are the primary drivers in the mission of our Blog. For instance, while it does not include all that many posts, the Category SUPERSYLLABOGRAMS is one of the most significant categories on our blog, because it is one of the Theories which we intend to advance and to publish papers on in the next year or so. Note that, although the Category, NASA, being an Acronym, is in CAPS, it is of course not a Major Category.
    
    Ours is also a teaching blog. Yes, I actually teach Linear B for free to anyone who wishes to learn it. Just ask Rita Roberts. She knew no Greek at all almost 2 years ago; now she is very competent in Mycenaean Linear B, and she has become my trusted research colleague and side-kick. I do not know where I would have been now without her great helping hand.   
    
    I trust that this little graphic guide will clear up any questions or concerns anyone may still have relative to the sub-classification of archived posts on our blog. If you are still unsure over how our system works, please feel free to leave a Comment at any time.
    
    Richard
    
    
  • Categories now Separated into MAJOR (in CAPS) & Regular on Linear B, Knossos & Mycenae, to Facilitate Serious Research into Linear B

    Categories now Separated into MAJOR (in CAPS) & Regular on Linear B, Knossos & Mycenae, to Facilitate Serious Research into Linear B: Click to ENLARGE
    
    Categories Classification Linear B Knossos & Mycenae 2014 REVISED
    I have just separated the Categories on our blog, as listed above, into MAJOR Categories (in CAPS or UC), and Regular. To search any Category, just click on its name. A few words of explanation. I have had to make this distinction between Major and Regular Categories because, as of 2015, Rita, my research colleague and I, shall be focusing our attention more and more on the Major Categories, and less and less on the Regular. In particular,
    
    I myself will be translating the entire Catalogue of Ships in Book II of the Iliad, in which we find the most archaic Greek in the entire Iliad. It is therefore of utmost significance in the confirmation of Attested (A) vocabulary, found on any and all Linear B tablets discovered to date, and in the restoration of Derived (D) Mycenaean Greek vocabulary, nowhere Attested (A).
    
    LEXICONS & GLOSSARIES: At the moment, there are only two Linear B lexicons of any note on the Internet, (a) The Mycenaean (Linear B) – ENGLISH Glossary, which although useful is extremely unreliable, riddled as it is with over 25 errors in the Mycenaean Linear B entries alone, and with at least 100 more errors in either ancient Greek or English. Students of Linear B should use this glossary with the utmost of caution, as they are liable to make serious errors in deciphering or translating Linear B tablets, if they rely on it solely. 
    
    You can download the .PDF file of this unreliable Glossary here:
    
    Explore Crete
    And you definitely should check out all the errors I highlighted in the Linear B entries alone in our previous post here:
    
    Mycenaean Linear B English Gliossary ERRORS!
    On the other hand, Chris Tselentis’ Linear B Lexicon is not only far more comprehensive, it is also extremely accurate and very well researched. The Title Page of Chris Tselentis’ extremely reliable Linear B Lexicon: Click to ENLARGE:
    
    Tselentis Linear B Lexicon
    Both are available in .PDF format on the Internet. If you must insist on using the first glossary (a), you should be certain to cross-check every single reference you find in it against the Lexicon (b).
    
    In order to compensate for the unreliable Glossary (a), Rita Roberts, my research associate, and I shall be compiling an all new Topical English – Mycenaean Value-Added Linear B Lexicon throughout 2015 and into 2016, which we hope to release in PDF format sometime in 2016 or at the very latest in 2017. Our Lexicon is meant to complement, and not replace Chris Tselentis’ fine Lexicon. Whereas Tselentis has laid particular emphasis on the inclusion of as many personal names and toponyms (place names) as he could possibly find on extant Linear B tablets, our Lexicon is to focus instead on these particular areas:
    
    (a) the correction of absolutely all errors in the sloppily conceived Mycenaean (Linear B) – ENGLISH Glossary +
    (b) the addition of 1,000s of new Mycenaean Linear B Derived (D) words, not Attested (A) on any extant Linear B tablets, vocabulary which nevertheless we believe almost certainly was in regular use in Mycenaean Greek. The criteria for inclusion of any and all such Derived (D) Vocabulary will be clearly defined in the introduction to our new Linear B Lexicon, which is bound to at least double the current Mycenaean Linear B corpus from about 2,500 discreet words (non-inclusive of personal names & toponyms) to at least 5K. +
    (c) We shall not, however, duplicate the excellent work Chris Tselentis has done with personal name & toponyms in his fine Linear B Lexicon, because to do so would simply be a waste. On the other hand, we shall include all major Minoan & Mycenaean personal names & toponyms which play a critical rôle in extant Linear B texts.
    
    MICHAEL VENTRIS: It goes without saying that I regard absolutely any information and research, original or new, relevant to my hero, Michael Ventris, as of critical importance. I hope you do so too.
    
    PROGRESSIVE LINEAR B: Progressive Linear B is a brand new Theory of Mycenaean Greek Grammar and Vocabulary in Linear B. This theory enables me to reconstruct large swaths of Mycenaean Greek grammar and vocabulary, by means of the techniques of Regressive Analysis from later Greek textual resources, in the following order of relevance, highest to lowest: Arcado-Cypriot Linear C sources (that dialect being the closest cousin to Mycenaean Greek); The Catalogue of Ships in Book II of the Iliad (See Iliad above); the Iliad itself; and finally, all of the East Greek dialects other than Arcado-Cypriot related to Mycenaean Greek, the older dialects taking precedence over the later, in this approximate order: early Ionic, Aeolic, Ionic & Attic Greek.
    
    Having regressively extrapolated grammatical forms (conjugations, declensions, prepositions & adverbs, numerics etc.) from their latter-day equivalents in the aforementioned dialects, I shall then proceed to reconstruct as much of the corpus of Mycenaean Greek grammar as I safely can, within strict parameters based on equally strict criteria, which I shall of course detail in my Introduction to the grammar, whenever I am finally able to release it in.PDF format on the Internet (2017-2018).
    
    Naturally, the reconstruction of Mycenaean vocabulary in our new Lexicon first (2015-2016) and of the most complete Mycenean grammar ever seen to date (2017-2018) are both immense undertakings, so please do not hold either myself or Rita to account if we take longer to release them than we might have anticipated. This is so simply because we expect from ourselves only the finest quality. And you should expect the same, nothing less.
    
    SUPERSYLLABOGRAMS: Finally comes the biggest surprise of them all, an entirely new Theory of Linear B Supersyllababograms, which we seriously believe will prove to be a major breakthrough in the decipherment of much of the remaining 10 % of Linear B single syllabograms (i.e. where we find only 1 syllabogram all by itself written on a Linear B tablet, heretofore entirely resistant to decipherment). But as it turns out almost all of these single syllabograms, of which – get ready for this! - at least 31 of 61 Linear B syllabograms – are actually supersyllabograms. Trust me on this one, a supersyllabogram, as you shall all soon enough discover, is much more than a simple syllabogram.
    
    Moreover, the implications of the impact of sypersyllabograms on our understanding of just what (kind of syllabary) Linear B is are bound to be profound and wide-reaching. I would even venture to go so far as to claim that Supersyllabograms (SSYs) will represent the first major breakthrough in the decipherment of Linear B in the 64 years since Michael Ventris’ astonishing achievement in cracking Linear B with the decipherment of Linear B Tablet Pylos PY 641-1952 in that year (1952). And just to whet your appetite, I shall be posting the completely revised Linear B Syllabary (2014), which I myself recently posted on our blog and on the Internet, with all the Supersyllabograms highlighted in BOLD, but without letting you know what these Supersyllabograms actually mean... although you can already find out for yourself what they mean simply by reading all the posts under the Major Category, SUPERSYLLABOGRAMS. So go for it. More news on this exciting breakthrough in the next post, which you are going to have to read anyway, if you are a Linear B researcher or translator really, really serious about new, unexpected developments into the Linear B syllabary.
    
    Stay posted!
    
    Richard
    
  • Linear B Keyboard Layout: to date the best on the Internet! (REVISED Oct. 30 2014)

    Linear B Keyboard Layout: to date the best on the Internet! (REVISED Oct. 30 2014) Click to ENLARGE:
    
    linear-b-keyboard
    
    In the first version of this new Linear B keyboard, which I posted this summer, I made an egregious error. The Linear B syllabogram produced when you type UC Y is QA, and the logogram PHU, as once bellieved. It is absolutely essential you understand this. QA is in fact a syllabogram. 
    
    The first thing I would like to point out is that it took me no less than 4 hours (!) of meticulous work to produce this fine chart of the Latin to Linear B Keyboard, just as it takes me between 1 g and 5 (!) hours to produce all the high quality Linear B tablet & fragment translations, illustrations etc. I work very hard on our blog to make sure that all illustrations for all posts are as clear and informative as possible. Most of the illustrations of Linear B tablets and fragments, and most of the rest of Linear B varia on the Internet are frequently of poor or fair quality at best, although plenty of them are of at least good quality, or even excellent. But good is never enough for me, because I want to make certain that any and all students, translators and researchers in Linear B have access to the highest possible quality illustrations for Mycenaean Greek & Linear B. That is why I scanned well over 3,000 Linear B tablets and fragments in Scripta Minoa, sharpened them, converted them to clear B&W and blew them up so that the Linear B characters would be very easy to read. I do sincerely hope people really appreciate the work I put into illustrations and indeed the explanatory text in our posts, which often goes to great lengths to make sure that folks who visit us have the clearest possible idea of whatever topic we are dealing with.
    
    Suggestion: Feel free to download this chart, which is in .jpg format. You can then print it out and, to be sure it does not get all messy if you happen to pour coffee, tea or worse on it, laminate it and post it on the wall right behind your computer. This will expedite the learning process for the Linear B font.
    
    In order to use the Linear B Font, you must of course first download it. By far the best site to download SPIonic, the standard for ancient (Attic) Greek, be sure to visit Dr. Shirley’s site, Greek fonts, here:
    
    Dr Shirleys Font List Greek
    
    Dr Shirleys Font List Greek
    
    
    The next page features a complete explanation by Dr. Curtis Clark himself on how he came to create this fine font.
    
    Richard
    
    
  • Linear B Syllabary with Emmett L. Bennett’s Numerical Identifiers

     

    Linear B Syllabary with Emmett L. Bennett’s Numerical Identifiers: Click to ENLARGE
    
    Linear B Syllabary 2014 with Bennetts numbers
    
    Excerpt from Wikipedia: Emmett L. Bennett, Jr.
    
    WikipediaLinear
    
    Emmett Leslie Bennett, Jr. (July 12, 1918 – December 15, 2011) was an American classicist and philologist whose systematic catalog of its symbols led to the solution of the mystery of reading and interpreting Linear B, a syllabary used for writing Mycenaean Greek, a 3,300-year-old script that was used hundreds of years before the Greek alphabet was developed. Archaeologist Arthur Evans had discovered Linear B in 1900 during his excavations at Knossos on the Greek island of Crete who spent decades trying to comprehend its writings until his death in 1941. Bennett and Alice Kober cataloged the 80 symbols used in the script in his 1951 work The Pylos Tablets, which provided linguist John Chadwick and amateur scholar Michael Ventris with the vital clues needed to finally decipher Linear B in 1952.
    
    

     

     

  • In Memoriam Aeternam Corporal Nathan Cirillo, shot to death 9:52 a.m., Oct. 22 2014 (in Linear B, ancient Greek, Latin, French & English)

    In Memoriam Aeternam Corporal Nathan Cirillo, shot to death 9:52 a.m., Oct. 22 2014 (in Linear B, ancient Greek, Latin, French & English): Click to ENLARGE:
    
    in memoriam Corporal Nathan Cirillo
    Yesterday, at 9:52 a.m. a crazed madman stylizing himself as a “jihadist”, a despicable word if ever there was, fired two rounds from a high powered rifle into the back of Corporal Nathan Cirillo, who was standing guard at the National War Memorial in our lovely city, Ottawa, the Capital of Canada. The killer then drove in a stolen car straight over to the House of Commons, rushed through the front doors of Parliament, and fired at least 30 shots in the main corridor leading to the Library of Parliament, before being shot to death by the Sargent at Arms, Kevin Vickers. Fortunately, the Members of Parliament were all in caucus at that time. Had the shooter arrived only an hour later, when the corridors were full of M.P.s and other people, the death toll would have been horrendous, in this, the first terrorist attack ever directly on the seat of government in any nation.
    
    The shock waves that ran through Canada and all around the world were instantaneous and horrifying. As a devout Canadian, I was so stunned, and then enraged yesterday that even today I cannot get over this brutal act of violence. Shame on radical Muslims, shame on Daesh! You are the very antithesis of civilized people; you are barbaric monsters. We will never forget what you have done to our peaceful nation, and you shall never live this down, so help us God.
    
    Please note that I tweeted this eulogy to all of the TV networks above.
    
    Richard 
    
    
    
  • Generously retweet from fellow researchers and aficionados of ancient Greece and watch what happens!

    Generously retweet from fellow researchers and aficionados of ancient Greece and watch what happens! Click to ENLARGE:
    
    retweet
    Thanks to timely assistance from my colleague and fellow Linear B researcher, Rita Roberts in Herakleion, Crete, right next door to Knossos, who showed me how to insert photos, charts and translations of Linear B tablets, I was suddenly able to increase the number of photos etc. on my Twitter account:
    
    RichardVallanceTwitter
    from only 13 to 115 illustrations in just 3 days! This finally gave me the confidence to start retweeting similar tweets from fellow researchers into ancient Greece, ancient Greek and the ancient world in general, and even to post those illustrations of mine which I was quite sure would appeal to each person I retweeted, as well as favoriting their tweets. The result has been nothing short of astonishing! Suddenly, the number of my followers jumped from 620 to 668 in just 3 days, while the number of visits to our Blog have concomitantly risen from an average of about 60-75 per day to almost double that, clocking in at around 120-180 per day. I never expected that, but it sure is very encouraging. To the extent that we support our fellow researchers and aficionados of ancient Greece and Greek, we soon find ourselves rewarded by reciprocal endorsement from our new friends. Karma.
    
    Besides, 668 followers for something as esoteric and far-out as Mycenaean Linear B and Arcado-Cypriot Linear C is rather impressive, if you ask me. 
    
    So allow me, my new friends on Twitter, to extend my gratitude and thanks for your reciprocal support.
    
    
    Richard
    
    
    
  • Knossos: A Novel of Ancient Crete, by Laura Gill 765 pp. (Kindle)

    Knossos: A Novel of Ancient Crete, by Laura Gill 765 pp. (Kindle) Click to ENLARGE:
    
    Knossos Novel
    
    I was just searching the Internet, and what did I find? This novel! It sure looks intriguing, and it merits four out of five stars! Plus it is very inexpensive, coming at $6.99.
    
    Here is what Laura has to say about her novel. 
    
    Knossos.
    
    Witness the rise and fall of the legendary Labyrinth in these ten stories spanning five millennia.Knos, a sea captain of Rhodes, is driven to find a new homeland for his people when the neighboring tribes turn against them. Little does he suspect the consequences of his actions.A bolt of lightning kills Pasibe’s young lover. Yet where they take, the gods also give.Bull leapers honor the gods during the midsummer rites as the rulers of Knossos vie for position. Bansabira, a bull priest, finds himself caught in the middle of the struggle.Daidalos, wronged by the high priestess of Knossos, builds the first Labyrinth after a devastating personal tragedy.Aranaru, a priest-architect of Daidalos, is commissioned to rebuild the Labyrinth after a storm of earthquakes. Meanwhile, in the serpent sanctuary, snake priestess Narkitsa tries to conceal a terrible secret.Dadarusa, scribe to the Minos, is summoned to attend the dead after a natural disaster of world-changing fury. Will he persevere in his grim duty, or will injury, starvation and the animosity of a fanatic priest be his undoing?Mycenaean conqueror Alektryon embarks on a course that threatens to alter the fabric of the Labyrinth and the authority of its priesthood.A crazed girl’s passion and her attachment to the mysterious bull-man of the Labyrinth threaten to bring down the edifices of power.
    
    Read more about her novel on her blog, here:
    
    Laura Gills Blog
    
    Richard
     
    
    
  • Without further ado (or maybe with it!) let’s all wish Rita Happy Birthday with her WIPO & EREPATO!

    Without further ado (or maybe with it!) let’s all wish Rita Happy Birthday with her WIPO & EREPATO! Click to BLOW UP, eh...
    
    Linear B -001 -02
    
    I simply have not the faintest idea (though if I did, I probably would faint!) who designed this cluttered Birthday Card, but they must have been high on mushrooms, marijane or some kind of hallucinogen, eh. OMG! And the notes! They fairly shout at us, Hey READ ME, why don’t you, anyway, eh! (eh being Canajun for A, ha ha!, and since I am a Canajun, I know what THAT means, eh!... so do all other Canajuns, a few Brits, a few Aussies & a few Kiwis, but no Yanks, who for some bizarre reason insist on saying, HUH?, which unlike EH! sounds kinda stupid, eh!). I don’t know about YOU, but I am going to fly to Herakleion (& if you don’t know where that is or you are American & don’t know anyway, FORGET IT, EH!)
    
    So have a wonderful, stupendous, hyper-terrific, copacetic, ecstatic, far out, flighty, spacey, what planet are YOU from?, Plan 9 1/2 from Outer Space etc. etc. etc. Birthday, eh, Rita.... because WIPO simply does not have the graphic skills, let alone writing skills, to cobble together another Birthday Card like this for at least another year, eh. Anyway, it IS one astonishing CARD, totally unique on this little planet of ours full of HUGE ELEPHANTS and little WIPOs, don’t you think, eh?
    
    Yours most sincerely trying with all my might to avoid any nearby EREPATOS! Oh and of course Rita will have to Translate this great card for us, because no Canajun in his or her right mind would even dream of translating it, except for a million Euros... hint, hint, Rita, eh.
    
    Ton ami canadien (Canajun eh!) Click to ENLARGE, even if no-one has ever seen an enlarged beaver! They sure would not like that, and might nibble your finger nails off if you tried!
    
    Canajun eh!
    
    Richard EH!
        
    
  • A Request for your help at Linear B, Knossos & Mycenae. Yes, we want to see stars!

    A Request for your help at Linear B, Knossos  & Mycenae. Yes, we want to see stars!
    
    request
    
    While our highly informative, strongly research oriented blog, which has been visited 10s of thousands of times in the eighteen months since its creation in May 2014, attesting to its wide appeal as a research blog on Mycenaean Linear B, Arcado-Cypriot Linear C, the Catalogue of Ships in the second book of Homer’s Iliad, and occasionally, Minoan Linear A, as the need arises, very few of you have been tagging our posts with “Like” (if you like), the number of stars out of 5 yellow stars letting us know how you seriously rate a particular post on these counts: informative content, style and graphics, or any other consideration you deem pertinent, and even to comment on anything you find interesting to ask questions about anything you do not understand but would really like, this is your opportunity. You can take it at any time, and we shall answer your requests and questions to the best of our ability.
    
    Tagging any post with stars (5 being the maximum) will greatly assist us in improving the quality of information and graphics we provide, comments even more so. So if you can find the time every now and then, even if only once in a few months or so, that would be greatly appreciated. Of course, if you wish to rate our posts and comment on regular basis, we welcome you to do just that.  No need to be shy. We aren’t. And there is no such thing as a stupid question. You should see some of the questions my co-researcher and I ask one another, and other Linear B researchers, colleagues and friends! Ask us questions, no matter how inane they seem... because none are.
    
    You will surely want to visit Rita Roberts blog too.
    RitaRobertsblog
    Rita Roberts blog WordPress
    And her Twitter!
    
    Rita Roberts
    
    And my Twitter!
    
    TwitterMEfollowME
    
    Thank you very much.
    
    
    Richard 
  • Let’s all bid a warm welcome to our newest member, our friend, Thomas Wischer, to Linear B, Knossos & Mycenae!

    Let’s all bid a warm welcome to our newest member, our friend, Thomas Wischer, to Linear B, Knossos & Mycenae!
    
    You can find Thomas here:
    
    thomaswischerwordpress
    
    and here:
    
    ThomsWischerTwitter
    
    You know what, Thomas. I have seen your picture, and maybe one of your blogs before (I can’t quite remember when).  
    
    May you post and comment merrily away, Thomas.
    
    Richard
    
  • 2 photos of goddesses & pottery in the museum at Mycenae I took in May 2012

    2 photos of goddesses & pottery in the museum at Mycenae I took in May 2012:
    
    Click to ENLARGE:
    
    Mycenaean Earth Goddesses Mycenae Museum May 3 2012
    
    These are of the Mycenaean Earth goddess, possibly also called Pipituna, and possibly equivalent to Erinu = Erinys mentioned in Knossos fragment KN 390J f 21, ERINU, the Avenging Deity, here:
    
    https://linearalinearblinearc.ca/2014/07/29/knossos-tablet-kn-390-j-f-21-erinu-the-avenging-deity-is-she-the-minoan-snake-goddess/   
    
    Click to ENLARGE:
    
    Mycenaean pottery pitchers and bowls, Mycenae Museum May 3 2012
    
    Mycenaean pottery, pitchers and bowls
    
    Richard
  • 2 photos of Frescoes at Mycenae I took in May 2012

    2 photos of Frescoes at Mycenae I took in May 2012:
    
    Click to ENLARGE:
    
    fresco horses and cavalry museum Mycenae May 3 2012
    
    Click to ENLARGE:
    
    Mycenaean Fresco of priestess and acolyte, Mycenae Museum May 3 2012
    
    Richard
    
    
    
  • 2 sweeping photos of Mycenae I took in May 2012

    2 sweeping photos of Mycenae I took in May 2012:
    
    Click to ENLARGE:
    
    View of rhe famous acropolis of Mycenae May 2012)
    
    Click to ENLARGE:
    
    at the summit of Mycenae acropolis with famous mountain May 2012
    
    Richard
    
    
  • 2 more beautiful photos I took of famous frescoes at Knossos in May 2012!

    2 more beautiful photos I took of famous frescos at Knossos in May 2012!
    
    Click to ENLARGE:
    
    MINOLTA DIGITAL CAMERA
    
    The simply stunning Griffin Fresco in the Throne Room of the Queen's Megaron. To my mind, this is one of the loveliest of all Minoan frescoes, if not one of the loveliest frescos in the entire history of art. I think it is. 
    
    Click to ENLARGE:
    
    Octopus Fresco Knossos May 2012
    
    The Octopus Fresco, another amazing work of art. There is humour in this one, a trait found in more than just a few works of Minoan art and craftsmanship, as in pottery as well. 
    
    Richard
  • 2 more beautiful photos I took of famous frescoes at Knossos in May 2012!

    2 more beautiful photos I took of famous frescoes at Knossos in May 2012!
    
    Click to ENLARGE:
    
    MINOLTA DIGITAL CAMERA
    
    The simply stunning Griffin Fresco in the Throne Room of the Queen's Megaron. To my mind, this is one of the loveliest of all Minoan frescoes, if not one of the loveliest frescos in the entire history of art. I think it is. 
    
    Click to ENLARGE:
    
    Octopus Fresco Knossos May 2012
    
    The Octopus Fresco, another amazing work of art. There is humour in this one, a trait found in more than just a few works of Minoan art and craftsmanship, as in pottery as well. 
    
    Richard
    
    

Sappho, spelled (in the dialect spoken by the poet) Psappho, (born c. 610, Lesbos, Greece — died c. 570 BCE). A lyric poet greatly admired in all ages for the beauty of her writing style.

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

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