Linear A tablet HT 18 (Haghia Triada) in Old Minoan fully deciphered

Linear A tablet HT 18 (Haghia Triada) in Old Minoan fully deciphered:

Linear A ideogams for wheat and barley

Linear A tablet HT 18 Haghia Triada

Except for the word pase which introduces this tablet, and which is probably Mycenaean-derived, the entire tablet is in Old Minoan, i.e. the Minoan substratum. Since we know what all of the ideograms and supersyllabograms mean, the decipherment is straightforward. On the first line, we have the ideogram for wheat followed by the associative supersyllabogram QE, which stands for qeria, Old Minoan for “emmer roasted wheat”. Next we have the ideogram for “roasted einkorn”, which Prof. John G. Younger incorrectly identifies as the ideogram for “olives”. They are sometimes confused. In this context, it makes no sense whatsoever for this ideogram to signify “olives”, in view of the fact the rest of the tablet deals with wheat, except at the very end, where figs are introduced. The associative supersyllabogram KI with the ideogram for “roasted einkorn” may reference one of two things, either kiretana, which is apparently Old Minoan for “Cretan” or more likely than not kireta2 (kiretai), meaning “with barley”. In other words, the roasted einkorn is mixed with barley. Finally, we have the supersyllabogram NI for “figs”. In old Minoan, this word is either nire or nite in the plural. The assignment of “bushel-like units” to the wheat and barley on this tablet is merely an approximation, since we have no idea what the standard unit for the measurement of grains, wheat or barley was in Minoan or for that matter in Mycenaean Crete. But it gives us an approximation of the amounts we are dealing with on this tablet.

Sappho, spelled (in the dialect spoken by the poet) Psappho, (born c. 610, Lesbos, Greece — died c. 570 BCE). A lyric poet greatly admired in all ages for the beauty of her writing style.

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

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