Mycenaean Linear B tablet KN 791 G c 101 & the co-dependent supersyllabograms O & KI

Mycenaean Linear B tablet KN 791 G c 101 & the co-dependent supersyllabograms O & KI:

KN 791 G c 101 & supersyllabograms O & KI

On Mycenaean Linear B tablet KN 791 G c 101, we find the co-dependent supersyllabograms O & KI. In Mycenaean Greek, the SSYL (supersyllabogram) O = onato = a lease field & the SSYL KI = kitimena = a plot of land. When these two SSYLS are combined, they become co-dependent, each one delimiting the other. Hence, on the second line of this tablet, O KI + the ideogram for “rams” or “ewes” (we are unsure which, since the ideogram is right-truncated)  means “an unknown number (right-truncated) of sheep -or- rams -or- ewes on a settled plot of land in a lease field.” When two or more co-dependent supersyllabograms are used with the ideograms for “sheep”, “rams” or “ewes”, both must be nouns. Adjectives are never used for associative co-dependent supersyllabograms, which is precisely what O + KI are on the second line. Associative SSYLS never define the ideogram(s) with which they are linked, since the ideograms themselves already mean exactly what they mean, in this case, “sheep”, “rams” or “ewes”. What associative SSYLS do is modify the ideograms with which they are associated.

NOTE that all supersyllabograms in Mycenaean Linear B were handed down from Minoan Linear A, which invented them. 

3 responses to “Mycenaean Linear B tablet KN 791 G c 101 & the co-dependent supersyllabograms O & KI”

  1. ritaroberts Avatar

    Thanks Richard. I will take note !!

    1. vallance22 Avatar

      OK

  2. […] Source: Mycenaean Linear B tablet KN 791 G c 101 & the co-dependent supersyllabograms O & KI […]

Sappho, spelled (in the dialect spoken by the poet) Psappho, (born c. 610, Lesbos, Greece — died c. 570 BCE). A lyric poet greatly admired in all ages for the beauty of her writing style.

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

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