Minoan Linear A terms deciphered with a high degree of certainty thus account for 37 % of all Minoan Linear A terms I have attempted to decipher. They also account for 9 % of all intact Minoan Linear A terms

A Glossary of 126 Minoan Linear A words more or less accurately deciphered to date (the largest ever glossary of Linear A) accounting for at least 24.7 % of all intact Minoan Linear A terms in Prof. John G. Younger?s Linear A Liner A texts in phonetic transcription = 510. Terms deciphered with a high degree of certainty thus account for 37 % of all Minoan Linear A terms I have attempted to decipher. They also account for 9 % of all intact Minoan Linear A terms in Prof. John G. Youngers:

Minoan Linear A Glossary126
 
That is a pretty good return.

All terms in Minoan Linear A and in Mycenaean Linear B have been Latinized for ease of access to persons not familiar with these syllabaries. 

aka = wineskin (two syllabograms overlaid)
akii = garlic
darida = large vase  
daropa = stirrup jar = Linear B karawere
daweda = medium size amphora with two handles 5
ditamana = dittany (medicinal herb)
kanaka = saffron = Linear B kanako
karopa3 (karopai) = kylix (with two handles & smaller than a pithos) 
keda = cedar
kidema*323na = type of vessel (truncated on HT 31)10
kireta2 (kiritai) = delivery = Linear B apudosis
kiretana = (having been) delivered (past participle passive) = Linear B amoiyeto
kiro = owed = Linear B oporo = they owed 
kuro = total
kuruku = crocus 15
maru = wool (syllabograms superimposed) = Linear B mari/mare
nere = larger amphora size
orada = rose 
pazeqe = small handle-less cups = Linear B dipa anowe, dipa anowoto
puko = tripod = Linear B tiripode (100 % certain) 20
qapa3 = qapai = large handle-less vase or amphora 
quqani = medium size or smaller amphora
ra2ri = rairi = lily 
sajamana = with handles = Linear B owowe
sedina = celery 25
supa3 (supai) = small cup = Linear B dipa mewiyo
supu = very large amphora
tarawita = terebinth tree 28

Eponyms:

Adunitana
Akaru 30
Asiyaka
Danekuti
Daqera
Ikurina
Makarita 35
Mirutarare
Qetiradu
Sirumarita2 = Sirumaritai
Turunuseme
Watumare 40

Toponyms:

Almost all the toponyms do not require decipherment as they are either identical or almost identical in Mycenaean Linear B:

Akanu = Archanes (Crete)
Dikate = Mount Dikte
Idaa = Mount Ida
Idunesi
Kato = (Linear B Zakoro)45
Kudoni = Kydonia
Meza (= Linear B Masa)
Paito = Phaistos ( =Linear B)
Radu = Lato (= Linear B Rato)
Setoiya (= Linear B Seteia) 50
Sukirita/Sukiriteija = Sybrita
Winadu = Linear B Inato 52

COMMENTARY:

This Glossary accounts for at least 24.7 % of all intact Minoan Linear A terms.
There are 45 terms deciphered with a high degree of certainty (> 75 %). These terms thus account for 37 % of all Minoan Linear A terms I have attempted to decipher. They also account for 9 % of all intact Minoan Linear A terms in Prof. John G. Youngers Lexicon.

As for eponyms and toponyms, I can only claim to have deciphered no more than 10 %, since they are so obvious and since so many of them are almost identical to their Mycenaean Linear B counterparts, in those cases where the latter exist. 

All of my decipherments operate on The principle of cross-correlative cohesion on the assumption that terms in Minoan Linear A vocabulary should reflect as closely and as faithfully as possible parallel terms in Mycenaean Greek vocabulary. In other words, the English translations of Minoan words in a Minoan Linear A Glossary such as this one should look as if they are English translations of Mycenaean Greek terms in a Linear B glossary. I have endeavoured to do my best to achieve this goal, but even the most rational and logical approach, such as I take, does not and cannot guarantee reciprocity between Minoan Linear A and Mycenaean Linear B terms. It is precisely for this reason that I have had to devise a scale of relative accuracy for terms in this Linear A Glossary.

The best and most reliable Linear B Lexicon is that by Chris Tselentis, Athens, Greece. If you wish to receive a  copy of his Lexicon, please leave a comment in Comments, with some way for me to get in touch with you.

Sappho, spelled (in the dialect spoken by the poet) Psappho, (born c. 610, Lesbos, Greece — died c. 570 BCE). A lyric poet greatly admired in all ages for the beauty of her writing style.

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

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