Eponyms or personal names in Mycenaean Linear B & Minoan Linear A followed by the ideogram for “man”

Eponyms or personal names in Mycenaean Linear B & Minoan Linear A followed by the ideogram for “man”:

In both Minoan Linear A and in Mycenaean Linear B there are ideograms for “man”. Of course, Mycenaean Linear B inherited its ideograms for “man”, “man seated” and “woman” from the single Minoan Linear A ideogram for “man”. The Linear B ideograms are much more flexible, allowing for gender, but nevertheless they are clearly offshoots of the Linear A ideogram for “man”. Yet that is not the important thing to note here. The key to the usage of ideograms for humans in both Linear A and Linear B is that they immediately follow the name(s) of the person or people they qualify. Thus, in the Linear B tablet below, we see no fewer than 18 names of men on 7 lines:

Linear B tablet KN 799a  C a 01 and leading eponyms

This figure clarifies the differences between the 3 ideograms for people in Linear B and the single ideogram in Linear A: 

ideograms for people in Linear B and Linear A

Finally, we have extracts from two Linear A tablets from Haghia Triada, HT 58 & HT 122b (the second part of HT 122):

Linear A HT 58 & HT 122b man

on which the Minoan names Qetiradu and Yedi appear. As you can see, the formula for displaying names is practically identical in both Minoan Linear A and in Mycenaean Linear B, which inherited it from Linear A. This formula is: personal name + ideogram for man etc.  This brings the number of Minoan words we have deciphered, more or less accurately, to 53.

2 responses to “Eponyms or personal names in Mycenaean Linear B & Minoan Linear A followed by the ideogram for “man””

  1. ritaroberts Avatar

    Brilliant ! Love it.

    1. vallance22 Avatar

      Merci!

Sappho, spelled (in the dialect spoken by the poet) Psappho, (born c. 610, Lesbos, Greece — died c. 570 BCE). A lyric poet greatly admired in all ages for the beauty of her writing style.

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

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