Knossos tablet KN 281 R w 21 & the supersyllabogram RI = linen undergarment

Knossos tablet KN 281 R w 21 & the supersyllabogram RI = linen undergarment:

Knossos tablet 281 R w 21 linen undergarment or tunic

This is perhaps one of the easiest supersyllabograms I have ever had to translate. It is pretty much self-evident. The supersyllabogram RI stands for “rino” which is the Linear B word for “linen”, referring to the linen undergarment or linen tunic or linen chiton. Mycenaean armour consisted of an outer plated armour called “toraka” in Linear B or “thorax”, which means “breastplate armour” in English. Under the breastplate the Mycenaean warriors wore an undertunic, a.k.a. chiton, which was made of linen.

The only question is, why is the supersyllabogram attributive, appearing as it does inside the ideogram for “tunic”? Attributive supersyllabograms always describe an attribute of the ideogram within which they fall. The ideogram is of course that for “tunic”. But it is more than just a tunic. It is a linen tunic. Hence, “rino” or linen is attributive. The Linear B and ancient Greek for “thorax” appear just below the Linear B, Linear B Latinized, ancient Greek and English for “linen”.

 

5 responses to “Knossos tablet KN 281 R w 21 & the supersyllabogram RI = linen undergarment”

  1. […] Source: Knossos tablet KN 281 R w 21 & the supersyllabogram RI = linen undergarment […]

  2. ritaroberts Avatar

    I am still re blogging some of your posts Richard.

    1. vallance22 Avatar

      So cool! Thanks!

  3. […] Source: Knossos tablet KN 281 R w 21 & the supersyllabogram RI = linen undergarment […]

  4. ritaroberts Avatar

    Thanks for explaining this so well Richard. It is an interesting Tablet.

Sappho, spelled (in the dialect spoken by the poet) Psappho, (born c. 610, Lesbos, Greece — died c. 570 BCE). A lyric poet greatly admired in all ages for the beauty of her writing style.

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

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