Rita Roberts’ Translation of Knossos Tablet KN 933 G d 01 with the Supersyllabograms O & KI

Rita Roberts’ Translation of Knossos Tablet KN 933 G d 01: Click to ENLARGE:

Knossos KN 933 G d 01 Plot of land translation by Rita Roberts
In her translation of Knossos Tablet KN 933 G d 01, Rita Roberts, now an advanced student of Linear B, refers to the SSYLs O &  KI, which are the Linear B Supersyllabograms “a lease field” and “a plot of land” respectively. We have discussed our all-new Theory of Supersyllabograms several times on this blog, but just to refresh your memory, a supersyllabogram is defined as the first syllabogram, in other words, the first syllable of a Linear B word. The meaning of any supersyllabogram in Linear B never changes in the context for which it is intended, but can & often does change its meaning when it appears in a different context. For instance, the supersyllabogram O means one thing & one thing only in the context of livestock, in this case, sheep (rams), namely, “a lease field”, while the SSYL KI can only mean “a plot of land” in the same context. Specific supersyllabograms sometimes appear in only one category of the Minoan/Mycenaean economy, and in no others. On the other hand, they often appear in two or more sectors of the economy and social + religious life of the Minoans & Mycenaeans. Early in 2015, we shall compile a complete table of all 31 supersyllabograms in Mycenaean Linear B, to be posted on this blog as the first step towards the publication of our research article positing the Theory of Supersyllabograms sometime in the spring of 2015.

Richard

One response to “Rita Roberts’ Translation of Knossos Tablet KN 933 G d 01 with the Supersyllabograms O & KI”

  1. […] Rita Roberts’ Translation of Knossos Tablet KN 933 G d 01 with the Supersyllabograms O & KI. […]

Sappho, spelled (in the dialect spoken by the poet) Psappho, (born c. 610, Lesbos, Greece — died c. 570 BCE). A lyric poet greatly admired in all ages for the beauty of her writing style.

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

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