Arcado-Cypriot Linear C Syllabograms: Moderate-Intermediate Linear

Arcado-Cypriot Linear C Syllabograms: Moderate-Intermediate Linear: Click to ENLARGE:

Linear C SO LI NE LA MI MU RI NI
These 8 syllabograms all consist of 3-6 linear strokes only, and are relatively easy to learn. Once again, remember that the majority of Linear C syllabograms are primarily linear, with a few of them circular, or a combination of linear & circular, making the syllabary relatively straightforward to learn. For the time being, this is as far as we intend to go with Linear C syllabograms, having introduced the first 22 or already 40 % of 56 syllabograms, enough for us to decipher a few words on the Arcado-Cypriot Linear C Idalion Tablet, and to compare these with their counterparts in Mycenaean Linear B. These comparisons, or as I prefer to call them, cross-correlations, serve to make it perfectly obvious to anyone familiar with either of these syllabaries, Linear B or Linear C, and especially to those familiar with both syllabaries, that indeed the Mycenaean dialect in Linear B and the Arcado-Cypriot in Linear C are the 2 most closely related early East Greek dialects, which were all to eventually merge into the Ionic and finally, the Attic dialect. In other words, what I am saying is that all of these East Greek dialects, from Mycenaean to Attic, are all of the self-same family.


Richard

Sappho, spelled (in the dialect spoken by the poet) Psappho, (born c. 610, Lesbos, Greece — died c. 570 BCE). A lyric poet greatly admired in all ages for the beauty of her writing style.

Her language contains elements from Aeolic vernacular and poetic tradition, with traces of epic vocabulary familiar to readers of Homer. She has the ability to judge critically her own ecstasies and grief, and her emotions lose nothing of their force by being recollected in tranquillity.

Marble statue of Sappho on side profile.

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